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Well Mod ([personal profile] wellie) wrote in [community profile] wellcome2024-04-19 04:40 pm
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6.0 Test Drive Meme

6.0 Test Drive Meme

Welcome to Well! See the first prompt for how your characters arrive in Well. Your character arrives with only a handful of memories, clad in a mix of Old Western clothes and clothes that might fit in at a renaissance fair, and no items from home.

Anyone is free to play on the TDM, but you need an invite to apply. Feel free to use these prompts, and interact with the arrival or locations. NPCs are around, but only say a certain set of phrases. TDMs can be considered game canon.

This TDM takes place from the first week of May onward, and can happen concurrently with other events during May and June. This will be the only TDM for May, June, and July.

Applications are open April 26th until May 1st, and May 27th until June 1st. Invites are available for friends of current players.

Arrival: Escape!
Content warnings: forced captivity, blood, eating eyes, drowning in sand, forced intimacy

The First Room

You wake up somewhere dark and damp. Maybe this is your first time waking up here, maybe it's your fourth, but the beginning is the same. You're in a small stone room. The only light comes from torches flicking on the walls. The room is bare except for a metal door. And you're not alone. You and someone (or someones) are here together, and you have to get out.

The door is locked, and to leave it you must just find one key. On the door is a note with a clue:

Freedom is hot!

The key is in fact in one of the torches! Depending on luck, you might find it on your first try, or your fourth. Find a way to extinguish the torches, and handle the hot, hot key to unlock the door.
After this, you find yourself in one of the following rooms. Choose one from the first set, then one from the second set, then one from the third set. You will always end in the final room. You must travel through five rooms to escape.

If you don't complete a task in five minutes, you will return to very first room and have to start again.

You can choose your own path, or comment below to have a random path set for you!

The Second Room

You find yourself in one of the following rooms:
1. There Ain't Room
2. Glitter Bomb
3. Riddles Three
1. There Ain't Room
In this room is a shooting game. There's a barrier with bebe guns attached to it, and at the far end are small cut outs of people. There's a sign on the far wall, in old-West style script, reading:

There Ain't Room

The cut outs look sort of familiar! There are cut outs of you and your compatriot(s), as well as some typical cowboy looking cut outs. Shoot your own cut out to escape! You each must shoot your own one, if you shoot each others', that person feels it as if they have been shot, and will start bleeding.

When you successfully hit all of your own cut outs, the floor under you opens up and you drop into the next room.

2. Glitter Bomb
As you walk through the doorway, you feel oddly.... sticky? Like your skin is covered in honey. Because it is! Yum.

In front of you is a room covered in glitter. There's so much glitter. You can't see a door, but you have to find a way out. Search the room to find the exit.

The exit is a trapped door in the floor. You'll need to make your way through the glitter, all the while it will stick to your very sticky skin. You'll need to dig a big enough path to get through, open the door and get into the next room! Too bad some glitter will come with you, and you'll still be sticky.

3. Riddles Three
A large hour glass in the middle of the room starts ticking down with sand as soon as you enter this room. One three of the walls are riddles engraved in the stone, and chalkboards in front of them. You must answer all three riddles correctly before the sand runs out to escape:
  • Where waves kiss sand and breezes blow, where tropic dreams grow, I'm where you want to go. What am I? Answer: Kokomo
  • With auburn locks and eyes of green, a rival, a threat, a beauty queen. Answer: Jolene
  • With cowboy hats and boots that stride, no one told me where my horse I ride. Answer: Old Town Road
Once you answer correctly, the hour glass disappears, leaving a hole in the floor that you must jump through to exit.

The Third Room

Next, you find yourself in one of the following rooms:
A. Cry For Me
B. Love Me
C. Hold Me
A. Cry For Me
This room is beautiful and shiny, the walls made of crystals. In the middle of the room is a crystal plinth with a small crystal cup on it. In flowing script around the cup it reads:

Collect five tears

You must collect five tears in the cup to escape. Once you do, an entry way opens in the crystal in front of you.

B. Love Me
This room is very plain, and on a piece of paper dangling from a string in the middle of the room is the instructions for this room:

Exchange five sincere compliments each. Don't break eye contact.

You must do this within the alloted five minutes to escape. If the compliments are less than sincere, you may try again, but if you don't reach the five each by the end of the five minutes or if you break eye contact even once, you will be returned to the first room.

C. Hold Me
This room looks a lot like the pub in town. The walls are wood paneled and there's jangling piano music coming from--somewhere?

In the middle of the room is a mechanical bull, with a sign reading:

Stay on the bull together for 45 seconds.

If you succeed within the five minutes, you're free to continue on!

The Fourth Room

Next, you find yourself in one of the following rooms:
I. Blood
II. Sweat
III. Tears
I. Blood
This room is very tall. There's a rope dangling down one wall. On the wall it reads:

Climb!

And that's what you have to do. The word "Climb" starts to bleed. And then the walls start to bleed. The room will fill up with blood within five minutes, so you better get climbing!

At the top of the room is a hatch that will let you escape through a hatch in the ceiling.

II. Sweat
When you enter this room, one of you finds that you are alone. You're standing at the edge of a pool, and that pool is full of sand. It's also searingly hot in here. On the wall, it reads:

Rescue your partner!

One person is chained at the bottom of a swimming pool full of sand. A counter on the wall counts down until they will suffocate. Better get swimming!

Once you've rescued your partner, a door on the other side of the pool will open up. Better move fast to get there!

III. Tears
This room is dark, very dark. You can just barely see, except for a glow-in-the-dark sign reading:

Eat some eyes!

And that's what you need to do! In the walls are eyes. They're watching you. You must each eat an eye to continue on. Once you do, a door cracks open in the far wall.

The Fifth Room

No matter the path you took to get here, the final room is the same:
The last room you end up in, even though you enter through the same door, you find yourselves separated by a wall. There is a door for each of you at the far side of the room. You can hear each other, but you can't see each other. Each of you have a plinth in front of you, which reads:

Who should escape?

In front of you are the names of yourself and your partner(s). You place the name of the person you believe should escape in a slot in the table.

Once everyone has made a selection, the names will light up:
  • If you all chose each other, your room lights up green.
  • If you all chose yourselves, your room lights up green.
  • If someone chose themselves, and someone else chose another person, the room of the person with the most "votes" lights up green. The others light up red.
If your room is green, when you open the final door, you've escaped! Welcome to Wellstone.

If your room is red, when you open the door, you find yourself back in the first room. Good luck!
When you escape, you step into the lobby of the Staywell. It's bright and airy with beautiful white stone. When you look behind you, it seems that you've stepped out of a supply closet. Weird!

The receptionist greets you as he always does, welcoming you home.

New characters arrive using this prompt. Characters can return from death from the previous cycle using this prompt. You can also just wake up and be in this prompt, so you can do this as many times as you like.

tl;dr:
  • You wake up in an escape room! You must finish (at least) five rooms to escape. You have five minutes to finish each room. If you fail, you'll be taken back to the beginning of the dungeon.

It's alive!
Content warnings: public shaming

When you shake off the glitter and the sand, it might be time to head on down into Wellstone town. The air is full of a shimmering warmth that might be familiar to some. It's like the sun has been baked into the very stones and is radiating back up at you. Run-down buildings lean against each other for support, made out of mostly weathered stone with a few old boards here and there to keep structures up. Desiccated, skeletal fingers of dried-out ivy climb them, waving occasionally as you pass. Waving, and… whispering? For more information about how the town has changed, check out this month's Wellstone Post or read the Locations Page.

The town is alive with sneering, whispering voices. It's unclear where exactly they're coming from, but they're everywhere. Step into the Cactus Pad Tavern and you might hear a decisive no manners! spat sharply from the doorway. Make your way to the steaming bathhouse to wash off that honey, but be careful when you're undressing: you might just hear rude snickering from the air around you. Wow, the walls might say, your toes are so long. What weird feet!

The voices might interrupt a conversation at breakfast to make fun of something you said. Your mirror and your wardrobe might question your outfit choices. They're loud enough to be heard by everyone in a public space and seem to delight in saying cutting things at the worst possible moment. You don't recognize the voices, exactly, but they seem just familiar enough to really hurt, and the voices seem to know you well enough. They might even call you out when you tell a little white lie, or let everyone know exactly how loud you snore.

There's no way, seemingly, to get them to shut up, so... may as well get used to it?

tl;dr:
  • The town is alive, and it is judging you. Your outfits, your words, your body, your habits: nothing is off-limits.
  • The voices sound just familiar enough to feel like voices you know, but aren't able to be pinpointed to a single person.

diablotin: (Default)

[personal profile] diablotin 2024-05-28 12:35 am (UTC)(link)
[ That heartbeat of unfettered knowing almost makes it worth it. ]

This is for your own good!

[ Aisha lands on top of him, scrambles to get a knee on his back to pin him down. She shoves him down with playfully light strength every time he tries to get up. And when there's an opening in his flailing — she leans forward to scoop as much glitter onto his head as she can manage. It sticks in his hair, and she musses it into his curls and smears it over his cheek. ]

Glitter is exactly what your costume has been missing. Be still!
anglophone: (011 | your smiles nothing but teeth)

[personal profile] anglophone 2024-05-29 03:47 am (UTC)(link)
[ Alec lets out a strangled ack of more startlement than displeasure as Aisha rubs glitter into his hair. It's patently annoying, is going to take approximately a thousand years to get out, and the scratch of her nails over his scalp sends buzzing tingles across his whole head. ]

Glitter is gauche, Aisha!

[ He protests, squirming his head away as he closes his fist around a handful of glitter of his own. ]

You're the neon nightmare, you - [ he attempts to throw it at her face, grinning, the awkward angle ensuring most of it splatters across her already glittery chest ] - get sparkled, idiot!
diablotin: (07)

[personal profile] diablotin 2024-05-30 01:20 am (UTC)(link)
You can make it work. Come on! Come on, what's the point in being a major supervillain if you can't redefine gauche?

[ She draws her arms up to sheild herself from his poorly executed assault, but it's too late: a scattering of weaponized glitter sprays into her mouth and she sputters, the overdramatic effect ruined by the underlying gurgle of laughter. ]

Hey! Asshole, sparkle isn't in my brand —
anglophone: (011 | your smiles nothing but teeth)

[personal profile] anglophone 2024-05-30 11:31 pm (UTC)(link)
[ No longer restrained by Aisha's arms, Alec capitalizes on the opportunity to jackknife onto his side and make a concerted effort to crawl out from underneath her, burrowing deeper into the glitter drifts like a sticky mole rat. ]

Are you finally admitting I'm the fashionable one?

[ He taunts, already a little out of breath, his heart thudding pleasantly in his ears. ]
diablotin: (07)

[personal profile] diablotin 2024-06-05 01:44 am (UTC)(link)
What!

[ His immense, powerful efforts throw her back into the glitter, freeing him out from under her as her fwop back onto her side sends up a cloud of microplastic lung torture. ]

When did I ever say you weren't fashionable?

[ Frequently and loudly, probably, but that's not the point. She hasn't said it in the few minutes since they were reunited. She has no room to talk right now. Like that's ever stopped her. ]

Look at you! Your shirt matches your pants!
anglophone: (007 | someone go get me more confetti)

[personal profile] anglophone 2024-06-05 11:19 pm (UTC)(link)
[ It definitely seems like something she must have said, at some point. The issue is that Alec can't remember a specific incident, which makes having a rebuttal slightly more challenging. ]

That's not even what being fashionable is about.

[ Only slightly. He blinks as more glitter cascades down over them both, then idly flicks a scoop of it in a mid-Aisha direction instead of at her face - as she richly deserves - because he's a villain of restraint. ]

It's about the whole effect. The essence. The panache.

[ He rolls onto his side, propping himself up on one elbow to face her. ]

Looking better than everyone else.
diablotin: (Default)

[personal profile] diablotin 2024-06-09 02:32 am (UTC)(link)
You cannot really be telling me you think you look better than everyone else.

[ Alec is incredibly pretty. If that was how fashionable was defined, she'd have no chance at winning this argument. Thankfully, like everything else that comes out of his mouth, it's garbage filler nonsense.

She bounds up to her feet, and - her boot catches on something. She kicks it, then points expectantly, threading a 'I might be fucking with you' lilt under every word and ever bat of her eyelashes. ]


Oh, shit. Come here, fashionista. Check this out.
anglophone: (008 | i might have hit my peak already)

[personal profile] anglophone 2024-06-09 04:19 pm (UTC)(link)
I did until you showed up. I've been telling you - it's dire out there.

[ It is garbage filler nonsense. Alec doesn't think he's good looking. He just has a face that seems like it should be, big eyes and full mouth and thin bones enough to convince people to mistake him for attractive. It's functionally the same thing, for most purposes. It doesn't bother him.

Aisha's actually pretty. The difference is obvious enough he's never bothered to really get into thinking about the specifics. Just looking at her fluttering her sticky, shiny eyelashes, he knows it's true.

He's also ninety nine percent sure she's fucking with him again, but he's willing to see where she's going with this. He pushes up to his feet with considerably less grace and ambles over, trying to look blankly trusting despite the twitch of a smile at the corner of his mouth. ]


Whatcha got there, Aisha?

[ Why, he might even lean forward to try to get a look at it through the glitter, totally lowering his defenses in his distraction. ]
diablotin: (Default)

[personal profile] diablotin 2024-06-20 01:52 am (UTC)(link)
[ She kicks the toe of her boot against her estimate of where the trapdoor handle is hard enough to make the metal clang loudly. The noise isn't as satisfying as it would be if it weren't drowning glitter. ]

It think it's the way out, but it's so heavy. I need a strong, attractive man like you to open it for me.
Edited 2024-06-20 01:52 (UTC)
anglophone: (002 | those wooden boys)

[personal profile] anglophone 2024-06-22 06:12 pm (UTC)(link)
[ The look Alec shoots her is absolutely withering. In a just world, she'd be stricken with remorse on the spot and repent forcing him to do manual labour. In the real world, it's hopeless. ]

You just don't want to dig it out.

[ With that incisive remark, Alec crouches to swipe at the glitter, shoving it back and away. He's not very efficient about it, but little by little, a divot forms in the loose pile. ]

Your feminine wiles are weak, by the way. Two out of five. Also, fuck you for making me say 'feminine wiles'. Ick.
diablotin: (13)

[personal profile] diablotin 2024-06-24 10:45 pm (UTC)(link)
Like your feminine wiles are any better, fuck you.

[ It's the last cheerful chirp Alec gets to take in before the world turns a disorienting corner - and Aisha's hands shove his shoulders to send him sprawling face first into the piles.

Unfortunately for her, her boot slips, and she comes crashing down beside him, sputtering glitter as she tries to sit up. ]
anglophone: (008 | i might have hit my peak already)

[personal profile] anglophone 2024-06-27 01:38 am (UTC)(link)
My feminine wiles are-

[ Alec pitches forward with the feminine grace of a toppling windmill, grasping back for Aisha even as she tumbles down with him. He wheezes and coughs on a mouthful of glitter as he squirms up onto his knees, his fingers hooked into the side of her shirt. ]

I'm the guy who trips people. Me. It's my thing. You have your own thing. I'm going to sue.

[ He tugs Aisha towards him, glaring at her closer up in hopefully imposing intensity, and nevermind the smirk. ]

I've got a guy.
diablotin: (07)

[personal profile] diablotin 2024-06-28 10:31 pm (UTC)(link)
Yeah? Who? The reddit mod squatting in your attic? You can't afford a lawyer, Regent, you've got all beans and no money.

[ She tries to push him down again, but his pull throws her off, and she ends up with her hands fisted in the shoulders of his shirt. She leans in a little in an effortless display of dominance, dark eyes narrowing. ]

I do what I want. That's my thing. What are you actually going to do about it?
anglophone: (010 | little dogs like you)

[personal profile] anglophone 2024-07-01 12:18 am (UTC)(link)
[ There should be any number of things Alec can say to that. He has options, starting at the tips of her nerves and rolling all the way down to a straightforward kick to the shin.

But for some reason, Aisha's intimidation is working. He's not scared, because he doesn't get scared, and particularly not of Aisha. She could fuck him up however she wanted, and she'd still never scare him. It'd just be something he almost definitely had coming.

Maybe it's just that having her face this close reminds him again that she's really here, her eyes catching a thousand sparkles off of the glitter shellacked over her cheekbones as she glares at him. His expression softens like melting ice cream, coolness giving way to sticky-light froth. ]


Nothing.

[ He shrugs, like it's just that easy to concede. ]

I guess I'm at your mercy. Bad news for me, huh?
diablotin: (10)

cw: emet

[personal profile] diablotin 2024-07-03 12:30 am (UTC)(link)
Yeah. Bad news.

[ It comes out too quiet, a poorly calculated timing of breath, a consequence of the horrible glitter-coated air starting to clog her airways and initiate a tragically young demise. That's not great for the intimidation tactic, but she can compensate.
Her suddenly sweaty hands shove him back, just enough to separate them, and she points authoritatively to the hatch. ]


You'd better open that right now, or the next thing I'll want is watching you eat glitter, loser, and your immune system can't handle that. You'll be spewing sparkle vomit until you die.
anglophone: (006 | precipice)

cw: emet

[personal profile] anglophone 2024-07-05 02:31 am (UTC)(link)
[ The front of his shirt lifts under her palms as he lurches back, and when the fabric reclings to him it's at a new rumpled angle. He readjusts, looking down, thoroughly and freshly aware of how uncomfortable his skin is.

It's not the worst kind of uncomfortable. He's just noticing things about it, like how it's more insistent over the warmest points on his wrists and at the nape of his neck. ]


If I'm dying of glitter consumption, I'm already dead.

[ He shuffles over to the hatch and shoves a few more pathetic palmfuls of glitter aside, then staggers to his feet so he can lift with his back, not his knees. ]

And you're going to feel terrible - [ he grunts, softly, hauling on the handle with determination, the edges starting to loosen - ] - because it'll be all your f-uck!

[ Alec careens back as the door pops free, kept upright by virtue of still hanging onto it as he rocks up on his heels in shock at his success. ]
diablotin: (12)

[personal profile] diablotin 2024-07-08 01:30 am (UTC)(link)
[ She grabs the back of his shirt before he can fall, acting on nothing but instinct even as he's already rocking back. ]

All my fuck? Holy shit, you're so stupid. Don't leave me alone with a glitter consumption corpse to haul around, holy shit.

What's down there? No, get back here, I'll look, I need a vacation from being responsible for your safety.
anglophone: (008 | i might have hit my peak already)

[personal profile] anglophone 2024-07-09 02:39 am (UTC)(link)
[ Alec checks himself easily on the strength of Aisha's anchoring grip, regaining his equilibrium in concert with her with practice, not control. ]

Why are you hauling my corpse around? What are you going to do with it, you freak?

[ He snickers even as he tags along to look down into the hole, which reveals - an extremely boring looking room, with nothing obvious in it but a piece of paper dangling from a string. He crouches down at the lip, looking back to her in consultation. ]

Well?
diablotin: (Default)

[personal profile] diablotin 2024-07-09 11:06 pm (UTC)(link)
You wanna know? Die and find out.

[ Aisha bites her lip to punctuate this unhelpful response, giving it time to sink in before she jumps bodily down into the next, much more boring room. Glitter cascades down with her as she reaches out for the string, having no confidence it'll hold her and all the confidence she'll bring the string down with her.

She misses the paper. She at least hits the ground feet first before her knees do. Her power flickers, and Alec's next glimpse is of Aisha holding up the scrap of paper triumphantly. ]


Come down here. What are you? Scared? There's no way you'll be able to handle this one.
anglophone: (007 | someone go get me more confetti)

[personal profile] anglophone 2024-07-12 11:19 pm (UTC)(link)
[ The flicker isn't as bad as the disappearance. It's more like a tap on his funny bone, an almost pleasant jolt of strange sensation that leaves a raw tingle on the tip of his tongue. He scowl-smirks down at her as he swings his legs over the lip of the hatch and attempts to lower himself more gently than she did, the edge catching the bottom of his shirt and dragging it halfway up his pale, sticky torso as he hangs like a weird fruit and then finishes dropping. ]

I'm not dying for your sick purposes, Aisha.

[ That's literally what she was just saying, but never mind. He drags his shirt back down absently, hiding the patchwork of scars she's already seen, and saunters over to inspect the paper she's clutching. ]

'Exchange five sincere compliments each. Don't break eye contact.' [ He reads aloud, mildly. ] Well, forget it. I guess we're done for. You're going to break for sure.
diablotin: (Default)

[personal profile] diablotin 2024-07-16 12:22 am (UTC)(link)
[ Aisha huffs a burst of air to express her displeasure, flicking the paper out to flit into his forehead in a gentle, completely unsatisfying arc. Her hands find her hips. ]

That's a negative compliment. Now you owe me six.
anglophone: (003 | a little victimless crime)

[personal profile] anglophone 2024-07-17 02:28 am (UTC)(link)
[ Alec is tempted to roll his eyes. With anyone else, he would, and whatever might happen would happen. But Aisha's only going to be less impressed with him if he gets them booted to a worse room, or melted by acid, or pelted with silly string, so he holds her gaze as steadily as the card instructed. ]

You're great at coming up with new ways of being a pain in the ass.

[ One down, five to go. ]
diablotin: (07)

[personal profile] diablotin 2024-07-17 02:38 am (UTC)(link)
[ Aisha bites the inside of her lip, just for a moment. Now that it's mandatory, it's taking more willpower to keep looking at him than it's ever taken her before. ]

Ooooh, are we taking turns? You're great at making me feel smart and creative and supremely supervillainous by the sheer power of comparison.
anglophone: (007 | someone go get me more confetti)

[personal profile] anglophone 2024-07-19 12:05 am (UTC)(link)
Is that one, or three?

[ Alec folds his arms and quirks a single eyebrow, an expression he practised in the mirror months before he and Aisha ever met. He doesn't remember that, but he does remember her laughing the first time he pulled it in front of her. ]

You are smart and creative and supremely supervillainous, but now that doesn't count, because you said it first. So... [ He tilts his head. ] You have a great sense of humour.

[ Since it's hilarious to imply that comparing anyone to him does anything positive for anyone. ]
diablotin: (06)

[personal profile] diablotin 2024-07-20 11:54 pm (UTC)(link)
Keep going and find out.

[ The Aisha in front of Alec laughs like she's never seen it before. He looks stupid. He looks like a D-list movie star trying too hard at the red carpet. She wants to shove her hand in his face, and almost does, remembering the rules only as her hand starts to move. ]

Oh, I've got one.

[ She folds her hands behind her back and leans forward, fluttering her lashes. ]

No one is better than you at being annoying.

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